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Keyword : Sergei Eisenstein
1.

Author Robert Robertson's sixth Offscreen essay on the audiovisual aspects of Sergei Eisenstein.

2.

A comparative analysis of the American architect Frank Lloyd Wright's theoretical and practical speculations on glass and Soviet director Sergei Eisenstein's proposed first sound film project for Paramount, The Glass House.

3.

A review essay of Sam Rohdie's recent book on the art of editing.

4.

Robert Robertson continues his research into previously untapped intellectual/philosophical strains in the work (film and theory) of Sergei Eisenstein, looking at parallels to the American architect Frank Lloyd Wright.

5.

An analysis of Eisenstein's most abstract montage type, 'intellectual montage.'

6.

An analysis of the great montagists Sergei Eisenstein’s interest in synaesthesia and occult traditions.

7.

First of two part essay on Eisenstein's audiovisual strategies for his sound film Que Viva Mexico! and how his use of music and noise relates to his concept of 'nonindifferent nature'

8.

First of two part essay on Eisenstein's audiovisual strategies for his sound film Que Viva Mexico! and how his use of music and noise relates to his concept of 'nonindifferent nature'

9.

Sergei Eisenstein has always been the pride of the Soviet cinema, but it was not until after perestroika, and especially after the collapse of Communism, that Russian theoreticians began to freely explore the national-psychological roots, cultural


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