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Past Issues


Volume 14, Issue 4 (Michelangelo Antonioni Tribute)
April 2010
  • Michelangelo Antonioni and the “Reality” of the Modern
    by Zach Melzer
  • Realism and Reality in Antonioni’s Profession: Reporter
    by Irini Stamatopoulos
  • Fragile Images and Concrete Things
    by Michael Bloom
  • La Femme “Antonionienne”
    by Julie Ravary
  • Zabriskie Point (1970, Antonioni): A Scene by Scene Analysis of a Troubled Masterpiece
    by Donato Totaro

Volume 14, Issue 3 (Documentary Special)
March 2010
  • Werner Herzog Between Documentary and Fiction
    by Stefano Odorico
  • (Re)covering Oka: Alanis Obomsawin’s Representation of the Crisis at Oka
    by Lindsey Campbell
  • It Might Get Loud
    by Donato Totaro
  • The 12th Buenos Aires Festival Internacional de Cine Independiente (BAFICI)
    by Peter Rist
  • Being There: The 2010 Sundance Film Festival
    by Virginia Wright Wexman

Volume 14, Issue 2 (Classic Quebec Cinema)
February 2010
  • That Obscure Object of Horror
    by Stephen Rife
  • Mon Oncle Antoine
    by Donato Totaro
  • Revanche (2008, Götz Spielman)
    by Donato Totaro
  • Vancouver International Film Festival 2009
    by Mike Archibald
  • Pleasure and Its Discontents: Lee Kang-Sheng’s Help Me, Eros
    by Edwin Mak

Volume 14, Issue 1 (Popular Cinemas)
January 2010
  • Do genres in the cinema really exist and if so, can they be defined?
    by Roberto Donati
  • Giallo (2009) vs. Four Flies on Grey Velvet (1971)
    by Donato Totaro
  • European Western vs. American Western
    by Alireza Vahdani
  • Cinematic Nostalgia and Blue Nights: On Jean Rollin’s Two Orphan Vampires
    by Simon Laperrière
  • Singularities: The 2010 Palm Springs International Film Festival
    by Virginia Wright Wexman

Volume 13, Issue 12 (Festival du Nouveau Cinema)
December 2009
  • Amer: The Three Faces of Ana
    by Donato Totaro
  • Amer: The Ruins of the Giallo
    by Simon Laperrière
  • Festival Nouveau Cinéma 2009:
    by Randolph Jordan
  • The Best of the “Noughties”
    by Peter Rist
  • Interview with Liu Jiayin
    by Peter Rist

Volume 13, Issue 11 (World Film Festival (2009))
November 2009
  • World Film Festival 2009
    by Donato Totaro
  • In Real Time: An Interview with Jafar Panahi
    by Peter Rist
  • Interview with Wang Quan’an
    by Peter Rist
  • 50th Thessaloniki International Film Festival
    by Betty Kaklamanidou
  • Le Mépris: Analysis of mise-en-scène
    by Roberto Donati

Volume 13, Issue 10 (International Festivals)
October 2009
  • The Telluride Film Festival
    by Kate Rennebohm
  • 23rd Leeds International Film Festival
    by Philip Gillett
  • 100 Years of Hong Kong Cinema?
    by Peter Rist
  • Door into Silence
    by Donato Totaro
  • David Lynch’s Blue Velvet
    by Stephanie Lam

Volume 13, Issue 9 (David Lynch)
September 2009
  • Roundtable on David Lynch’s Inland Empire, Part 1
    by Donato Totaro, Peter Rist, Randolph Jordan
  • Roundtable on David Lynch’s Inland Empire, Part 2
    by Donato Totaro, Peter Rist, Randolph Jordan
  • Lynch: Meditation and Creativity
    by Ryan Diduck
  • The Enigmatic Mr. Lynch
    by Stefan Gullatz
  • Rhetoric of Excess: Hyperbolical Irony as Transcendence in Blue Velvet
    by Michael Bloom

Volume 13, Issue 8 (Severin Films)
August 2009
  • An Interview with David Gregory
    by Donato Totaro
  • The Sister of Ursula & the Terza Visione
    by Donato Totaro
  • Perversion Story
    by Donato Totaro
  • Screwballs
    by Donato Totaro
  • Porn-O-Rama
    by Mark Penny

Philosophy and Horror
July 2009
  • Seeing, Thinking, and Writing: Daniel Shaw’s book Film and Philosophy: Taking Movies Seriously
    by Daniel Garrett
  • Existence is Song: The Dream-like Aesthetics of Duration in Mirror
    by Michael Bloom
  • Time as visualized by the cinematic medium
    by Irini Stamatopoulos
  • All the Boys (and Girls) Love Mandy Lane
    by Donato Totaro
  • Maurice Devereaux at the End of the Line
    by Donato Totaro

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