
ISSN 1712-9559
Keyword : Quebec Cinema
2.

A political analysis of Obomsawin's feature length and short film documentaries on the Oka Crisis and the representation of Mohawk culture.
3.

A close textual analysis of one of the most revered Canadian films of all time, Les Bons Débarras.
5.

An interview with Doug Harris, writer/director of the Canadian film Remembering Mel.
6.

An brief look back at the capital cost allowance period in Canadian cinema, which acts as an introduction to the interview with Doug Harris.
7.

An interview with Philippe Spurrell, director of the Canadian supernatural mystery, The Descendant (2007).
8.

A review of the NFB's much anticipated DVD box set of Pierre Perrault's seminal Île-aux-Coudres trilogy.
9.

The recent video work series of four 50-minute filmic essays by Québécois giant Jean Pierre Lefebvre is analyzed for its cultural and aesthetic depth.
10.

A review of François Miron's revisionist, Sapphic film noir, which imagines a world where women act like Humphrey Bogart and men are nervous, jittery and timid.
11.

A report on the 46th International Film Festival of Thessaloniki, Greece (TIFF, 18 – 27 November 2005).
12.

An in-depth interview with co-writer and co-director of the Canadian noirish horror film Eternal.
13.

An in-depth essay on the 10th anniversary of Robert Lepage's impressive debut feature Le Confessional
14.

Revisiting a classic of Quebec cinema, La Petite Aurore, L’enfant Martyre.
15.

On the occasion of the launch of the NFB's DVD box set L’oeuvre documentaire intégrale de Denys Arcand 1962-1981, Isabelle Morissette meets with Denys Arcand on the subject of On est au coton and the influence that the documentary has had on his creative process.
16.

The evolution of Québécois popular hero IXE-13 from serial novel to film.
17.

In this essay Garrett asks of himself: “What is a minor work of art, and what a major one? How do the perceptions about the social value of characters in film translate into one’s estimation of a film’s importance?” These are questions that occur when Garrett views two films focusing on Native Americans, Randy Redroad’s Haircuts Hurt and Norma Bailey’s Cowboys and Indians: The J.J. Harper Story, and then sees Denys Arcand’s The Barbarian Invasions.
18.

A roundtable discussion with filmmakers Robin Schlaht, Roy Cross, Michael Crochetière, and film critic/writer/teacher Johanne Larue.
19.

The Montreal-based Tana discusses these films and his experiences as an Italian-Canadian filmmaker.
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